Drew Lavyne announced yesterday that he has reopened his original mastering studio, A.L.L. Digital.
“After having spent the last year at Sterling Sound I have discovered that my clients still prefer the flexible budgets and one-on-one access of being able to communicate and work with me directly, so that is Read more...
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In the last decade, as Manny Marroquin has been cranking out mixes for a growing client-base of pop stars, something has been stirring in the pop music world that is now in full effect. Sonically and stylistically, pop music has been hybridizing with artists embracing wide-ranging influences and sounds, mixing Read more...
The post Mixer Profile: Manny Marroquin Mixes Everything appeared first on SonicScoop.
The madness began with 1989. Not the year, the record.
So beguiling was Taylor Swift’s fifth studio album that none can resist its magnetic pull, not fans nor artists nor engineers nor producers. 9.5 million in sales worldwide and no less than seven singles – including “Bad Blood,” “Shake It Read more...
The post When Recording is a Revelation: Babetown’s Audacious “1989 Is HELL” appeared first on SonicScoop.
We’ve all made mistakes. Missed punch ins, bad edits, a vocal tuning glitch. If you’re like me, then you’ve probably painstakingly edited and reedited a track once, twice or a hundred times because something wasn’t just right.
Well, as a reminder of the futility in perfectionism, here’s a list Read more...
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